{"id":24,"date":"2022-09-21T13:11:06","date_gmt":"2022-09-21T13:11:06","guid":{"rendered":"https:\/\/grietjegoedkoop.nl\/sta-online-exhibition\/?p=20"},"modified":"2023-01-23T12:50:29","modified_gmt":"2023-01-23T11:50:29","slug":"composition-a-carres-cercle-rectangles-triangles","status":"publish","type":"post","link":"https:\/\/sophietaeuberarp.org\/online-exhibition\/composition-a-carres-cercle-rectangles-triangles\/","title":{"rendered":"Composition \u00e0 carr\u00e9s, cercle, rectangles, triangles"},"content":{"rendered":"&lt;p&gt;&lt;em&gt;Alles eine Frage der Details? &lt;\/em&gt;&lt;br&gt;\nAls ich die &amp;raquo;Composition &amp;agrave; carr&amp;eacute;s, cercle, rectangles, triangles&amp;laquo; zum ersten Mal gesehen habe, hat das zentrale, rote Viereck mit seiner besonders intensiven Farbwirkung vor dem blauen Hintergrund direkt meine Aufmerksamkeit auf sich gezogen.&lt;br&gt;\nDie Arbeit wirkt auf mich reduzierter und ruhiger als andere Werke der K&amp;uuml;nstlerin. Nur neun Formen &amp;ndash; vier Quadrate, ein Rechteck, drei Dreiecke und ein Kreis &amp;ndash; bilden die Komposition. Dies mag &amp;uuml;bersichtlich erscheinen, dennoch gibt es einiges zu entdecken: &lt;a class=&quot;glossaryLink&quot;  aria-describedby=&quot;tt&quot;  data-cmtooltip=&quot;cmtt_d395e4df1b2efcae0addcc9616b9f1fb&quot;  href=&quot;https:\/\/sophietaeuberarp.org\/online-exhibition\/glossary\/wiederholungen\/&quot;  data-gt-translate-attributes='[{&quot;attribute&quot;:&quot;data-cmtooltip&quot;, &quot;format&quot;:&quot;html&quot;}]' tabindex='0' role='link'&gt;Wiederholungen&lt;\/a&gt; zum Beispiel! Alle Dreiecke gleichen sich in Form und Gr&amp;ouml;&amp;szlig;e, auch die kleinen, gelben Quadrate sind identisch.&lt;br&gt;\nBei genauerer Betrachtung f&amp;auml;llt zudem auf, dass die Formen miteinander verbunden sind. Keine Form steht nur f&amp;uuml;r sich, sondern ber&amp;uuml;hrt immer mindestens eine weitere (&amp;auml;hnlich wird dir dies &amp;uuml;brigens bei einem weiteren Werk in dieser Ausstellung wiederbegegnen). Jede Form erhielt eine eigene Farbe, auch wenn sich diese teils nur subtil voneinander unterscheiden. Und das scheinbar zentral gelegene rote Viereck ist leicht nach rechts verschoben &amp;ndash; ein fast unmerkliches Detail. War dies Absicht um die Gesamtordnung der &lt;a class=&quot;glossaryLink&quot;  aria-describedby=&quot;tt&quot;  data-cmtooltip=&quot;cmtt_caaf0125340f02c70131fc24ffefaafb&quot;  href=&quot;https:\/\/sophietaeuberarp.org\/online-exhibition\/glossary\/formen\/&quot;  data-gt-translate-attributes='[{&quot;attribute&quot;:&quot;data-cmtooltip&quot;, &quot;format&quot;:&quot;html&quot;}]' tabindex='0' role='link'&gt;Formen&lt;\/a&gt; exakt aufeinander abzustimmen?&lt;br&gt;\nSo manch eine\/r mag sich auch &amp;uuml;ber die Datierung dieser Textilarbeit wundern. Die Forschung legte das Zeitfenster von 1918&amp;ndash;1931 fest. Das ist eine Zeitspanne von 13 Jahren! In diesen Jahren ist viel im Leben der K&amp;uuml;nstlerin passiert: 1918 lebte Sophie Taeuber in Z&amp;uuml;rich und leitete eine Textilklasse, heiratete 1922 den K&amp;uuml;nstler Hans Arp (1886&amp;ndash;1966) und trug fortan die Namen Taeuber-Arp. In den sp&amp;auml;ten 1920er-Jahren &amp;uuml;bernahm sie einige Auftr&amp;auml;ge in der Innenraumgestaltung in Stra&amp;szlig;burg. Anfang der 1930er-Jahre lebte Taeuber-Arp bereits in ihrem selbst entworfenen Wohn- und Atelierhaus in Meudon, nahe Paris.&lt;br&gt;\nDie Datierung der Textilarbeit basiert &amp;uuml;brigens auf den Angaben, die sich im Werkverzeichnis von 1948 (hier 1918, vgl. &lt;a href=&quot;https:\/\/sophietaeuberarp.org\/schmidt-weber-1948\/&quot;&gt;Schmidt\/Weber 1948&lt;\/a&gt;, S. 148) und in einem Ausstellungskatalog von 1959 (hier 1931, vgl. &lt;a href=&quot;https:\/\/sophietaeuberarp.org\/ausst-kat-st-gallen-1959\/&quot;&gt;Ausst. Kat. St. Gallen 1959&lt;\/a&gt;) finden.&lt;\/p&gt;\n&lt;p&gt;Feliz Yilmaz&lt;\/p&gt;\n","protected":false},"excerpt":{"rendered":"&lt;p&gt;&amp;lt;p&amp;gt;Alles eine Frage der Details? Als ich die &amp;amp;raquo;Composition &amp;amp;agrave; carr&amp;amp;eacute;s, cercle, rectangles, triangles&amp;amp;laquo; zum ersten Mal gesehen habe, hat das zentrale, rote Viereck mit seiner besonders intensiven Farbwirkung vor dem blauen Hintergrund direkt meine Aufmerksamkeit auf sich gezogen. Die Arbeit wirkt auf mich reduzierter und ruhiger als andere Werke der K&amp;amp;uuml;nstlerin. Nur neun &amp;lt;a class=&amp;quot;glossaryLink&amp;quot;  aria-describedby=&amp;quot;tt&amp;quot;  data-cmtooltip=&amp;quot;cmtt_caaf0125340f02c70131fc24ffefaafb&amp;quot;  href=&amp;quot;https:\/\/sophietaeuberarp.org\/online-exhibition\/glossary\/&lt;a class=&quot;glossaryLink&quot;  aria-describedby=&quot;tt&quot;  data-cmtooltip=&quot;cmtt_caaf0125340f02c70131fc24ffefaafb&quot;  href=&quot;https:\/\/sophietaeuberarp.org\/online-exhibition\/glossary\/formen\/&quot;  data-gt-translate-attributes='[{&quot;attribute&quot;:&quot;data-cmtooltip&quot;, &quot;format&quot;:&quot;html&quot;}]' tabindex='0' role='link'&gt;formen&lt;\/a&gt;\/&amp;quot;  data-gt-translate-attributes='[{&amp;quot;attribute&amp;quot;:&amp;quot;data-cmtooltip&amp;quot;, &amp;quot;format&amp;quot;:&amp;quot;html&amp;quot;}]&amp;lsquo; tabindex=&amp;rsquo;0&amp;prime; role=&amp;rsquo;link&amp;lsquo;&amp;gt;&lt;a class=&quot;glossaryLink&quot;  aria-describedby=&quot;tt&quot;  data-cmtooltip=&quot;cmtt_caaf0125340f02c70131fc24ffefaafb&quot;  href=&quot;https:\/\/sophietaeuberarp.org\/online-exhibition\/glossary\/formen\/&quot;  data-gt-translate-attributes='[{&quot;attribute&quot;:&quot;data-cmtooltip&quot;, &quot;format&quot;:&quot;html&quot;}]' tabindex='0' role='link'&gt;Formen&lt;\/a&gt;&amp;lt;\/a&amp;gt; [&amp;amp;hellip;]&amp;lt;\/p&amp;gt;&lt;\/p&gt;\n","protected":false},"author":1,"featured_media":255,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-24","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibits","8":"entry"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Composition \u00e0 carr\u00e9s, cercle, rectangles, triangles - Online exhibition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sophietaeuberarp.org\/online-exhibition\/composition-a-carres-cercle-rectangles-triangles\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Composition \u00e0 carr\u00e9s, cercle, rectangles, triangles - Online exhibition\" \/>\n<meta property=\"og:description\" content=\"&lt;p&gt;Alles eine Frage der Details? Als ich die &amp;raquo;Composition &amp;agrave; carr&amp;eacute;s, cercle, rectangles, triangles&amp;laquo; zum ersten Mal gesehen habe, hat das zentrale, rote Viereck mit seiner besonders intensiven Farbwirkung vor dem blauen Hintergrund direkt meine Aufmerksamkeit auf sich gezogen. Die Arbeit wirkt auf mich reduzierter und ruhiger als andere Werke der K&amp;uuml;nstlerin. 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