{"id":244,"date":"2022-12-13T12:05:55","date_gmt":"2022-12-13T11:05:55","guid":{"rendered":"https:\/\/sophietaeuberarp.org\/online-exhibition\/?p=244"},"modified":"2023-01-20T09:17:40","modified_gmt":"2023-01-20T08:17:40","slug":"personnages-2","status":"publish","type":"post","link":"https:\/\/sophietaeuberarp.org\/online-exhibition\/personnages-2\/","title":{"rendered":"Personnages"},"content":{"rendered":"

Hat Sophie Taeuber-Arp gezielt Kontraste eingesetzt?<\/em>
\nAuf den ersten Blick wirkt die Arbeit streng und geradlinig: Fünf Figuren<\/a> mit kreuzförmigen Köpfen sind eng an- und übereinander positioniert. Ihre Körper und ausladenden, angewinkelten Arme stoßen aneinander und breiten sich netzartig über dem Stramingewebe aus. Auf diese Weise sind alle Figuren irgendwie miteinander verbunden.
\nIm Kontrast zu den harten, kantigen Formen<\/a> steht nicht nur das weiche Material (Stickgrund und Garn). Auch der kleine Kreis, der spielerisch von einer roten Figur auf Händen balanciert wird, sticht als einzige Form dieser Art in der Komposition hervor. Kommt dir das bekannt vor? Selbst bei der Gestaltung der Köpfe der Figuren griff Sophie Taeuber-Arp nicht auf den hier wohl naheliegenden Kreis, sondern auf Kreuze zurück.
\nDen Kreis teilte die Künstlerin in zwei verschiedenfarbige Hälften, weiß und pink, sodass auch diesem runden Bildelement mit der Teilungslinie ein geradliniges Moment inhärent ist. In der sonst vorrangig von Beige, Blau und Schwarz dominierten Garnarbeit setzt dieser Kreis gemeinsam mit der roten Figur einen besonderen Farbakzent, sodass der Blick auf diesen Teil der Komposition gelenkt wird. Die Farbe Rot<\/a> findet sich in vielen Arbeiten der Künstlerin. Achte mal darauf! Sie scheint den sprichwörtlichen »roten Faden“ zwischen den Werken zu spinnen.<\/p>\n

Lena Buns<\/p>\n","protected":false},"excerpt":{"rendered":"

Hat Sophie Taeuber-Arp gezielt Kontraste eingesetzt? Auf den ersten Blick wirkt die Arbeit streng und geradlinig: Fünf Figuren<\/a> mit kreuzförmigen Köpfen sind eng an- und übereinander positioniert. Ihre Körper und ausladenden, angewinkelten Arme stoßen aneinander und breiten sich netzartig über dem Stramingewebe aus. Auf diese Weise sind alle Figuren<\/a> irgendwie miteinander verbunden. Im Kontrast zu […]<\/p>\n","protected":false},"author":10,"featured_media":245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-244","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibits","8":"entry"},"acf":[],"yoast_head":"\nPersonnages - Online exhibition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sophietaeuberarp.org\/online-exhibition\/personnages-2\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Personnages - Online exhibition\" \/>\n<meta property=\"og:description\" content=\"Hat Sophie Taeuber-Arp gezielt Kontraste eingesetzt? Auf den ersten Blick wirkt die Arbeit streng und geradlinig: Fünf Figuren mit kreuzförmigen Köpfen sind eng an- und übereinander positioniert. Ihre Körper und ausladenden, angewinkelten Arme stoßen aneinander und breiten sich netzartig über dem Stramingewebe aus. Auf diese Weise sind alle Figuren irgendwie miteinander verbunden. 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